Archive for February, 2008

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The Foiled Years: What A Wonderful Ride! (from keiv on the open book)

February 13, 2008

(updated version) 

 The History for Sale tour (at the tail end, it was known as the “History Has Sold” tour) ended on October 24, 2004 at Stubb’s in Austin, Texas.

329 days later, and with Matt back in the band and their new album in the bag, Blue October played the first show of what would become a more than two-year long endeavor to promote and support their new album and share their music with their fans.

I remember that day clearly. Canvas had just played what would be their last show ever in Dallas at the Curtain Club the night before. I ended up hanging out with Joseph King, Chad Pavlovich and Matt and Troy from Spoonfed Tribe all night. We watched the sunrise from the rooftop of Joseph’s friend Daniel’s house in Fort Worth. After catching a few hours of sleep in the morning, Chad and I headed back to Deep Ellum for the Storm Aid benefit concert, which would include many of our favorite local bands such as SouthFM, Zayra Alvarez, The Burden Brothers, and Blue October.

We arrived at the Gypsy Tea Room where we hooked up with Swin who showed us the new Foiled promo posters. They listed October 11 as the release date. We headed over to Deep Sushi where the band was having lunch with their manager Paul Nugent and their producer David Castell. When Justin saw us through the window of the restaurant he came outside and gave us bear hugs. Seeing Matt seated with the rest of the band made me swell with joy. I also met Meridith for the first time after hearing about her from Jeremy for several years.

Justin was very nervous. I asked him if he was going to play any new songs, and he said he had a new song called Hate Me that the band would be debuting that night. There was something else new that night, it was the first of many shows to come in which Justin donned a suit.

Blue October’s set that night was short but beautiful and acoustic. They played Calling You in a new way, and the new song - Hate Me. Wow. It was good. The kind of brilliance I had come to expect from Justin. It was the first time I had ever heard the song, and it would be the last time I would ever hear it at a show without the audience singing along.

Five days later Blue played the ACL festival in Austin, and news came from the higher ups that the album release would be delayed until after the new year. The band had already booked a 20-date tour of their home turf: Texas and the Midwest, to promote the album’s release. The fans would not be disappointed, the tour would go on, and Blue October wouldn’t be obligated to only play their new songs. Their first album, The Answers, was finally available through the band’s website and at their shows, and this tour would serve to promote The Answers and the entire Blue October catalog. Hate Me was going to be the first single from Foiled, and would be played at the shows. You Make Me Smile, the song that Justin and Matt had written together but never released, would also be included, showing the fans that Matt’s back. Even though Foiled had been foiled, there was plenty to celebrate and show off.

The tour began with 11-straight shows in Texas: San Angelo, Abilene, Lubbock, Odessa, College Station, Beaumont, Austin, Houston, San Antonio, Dallas and Fort Worth.

From DFW, they headed north to Tulsa, Little Rock, Lawrence, Saint Louis, South Bend, Minneapolis, Milwaukee, Chicago, Ames and finally their second home: Omaha. Without the new album, and with most radio stations still ignoring them, the band still managed to sell out most of the shows, which were mostly at bars and small music clubs, with a few theaters mixed in.

About a month after the tour ended, Justin and Matt played a 3-date 5591 tour through San Marcos, Austin, and Houston. The latter date fell just a few days early of Justin’s birthday, and served as a de facto birthday party, complete with gifts and a 5591 cake.

After a holiday break, the band boarded their tour bus for a cross-country blitz of a radio tour. The new album would be hitting stores soon, and Hate Me was now available for radio adds. On the 14-day tour, which started in San Diego and ended up in Saint Petersburg, the band played private shows for radio station staffers in 12 cities including Los Angeles, Sacramento, Salt Lake City, Denver, Mission Kansas, Saint Louis, Memphis, Birmingham, and Atlanta. The strategy proved successful, and along with the support of fans who called stations to request the song, Hate Me quickly rose to be the most added song in alternative rock and soared to #1 most requested in several cities. Their radio show from Altlanta would later be released as a promotional EP entitled “Foiled Again.”

Hate Me was remixed for the album, and was rising up the charts.
The band played one concert in February - a Mardi Gras party in Galveston, which would have coincided with the release of Foiled, but the album’s release was again delayed to March.

On March 22 Blue October set out on another string of tour dates starting with a set at the SXSW festival in Austin, but yet again their album wasn’t available. They decided to start playing their new songs anyway, adding Sound of Pulling Heaven Down, Everlasting Friend, Drilled a Wire Through My Cheek, Into the Ocean, and Overweight to their setlist.

Foiled’s final release date was set for April 4, 2006, and after shuffeling around some tour dates, the band was able to come back to Texas to play some in-store acoustic shows and autograph sessions to promote the CD’s release.

After the Texas in-stores, the guys headed to California to play at the famous Roxy Night Club in Los Angeles.

In it’s first week, Foiled sold over 30,000 copies.

The boys returned to Texas to play their first full Foiled shows in Lubbock, Austin, Dallas, and then Austin again.

Only ten days after the release of Foiled, Blue October made their nation-wide television debut, playing Hate Me on the Tonight Show. The performance boosted the sales of Foiled and escalated Hate Me to even greater popularity, allowing the band to record a video for the song with director Kevin Kerslake who has previously directed videos for The Offspring, Nirvana, Red Hot Chili Peppers, Stone Temple Pilots, 311, Smashing Pumpkins, Green Day, Cypress Hill, Depeche Mode, The Ramones, Faith No More, and Soundgarden.

Hate Me had been topping the charts in one city in particular outside of Texas: Tampa, Florida. 97x, Tampa’s radio station had fallen in love with Blue October and heavily promoted a headlining show for Blue October before 10,000 fans at Bright House Networks Park on April 29. By all accounts the show was spectacular, however after the concert, while running the bases in the park, Justin slipped and broke his leg. Justin wouldn’t be able to walk or play guitar, but he was determined to keep performing. Julian Mandrake, a long-time friend of the band, and the former lead guitarist from Canvas was called and invited to join Blue October as second guitarist. Julian agreed and immediately flew to Baltimore to meet the band the at their next show in Baltimore.

With only two days of preparation, Julian learned Blue October’s songs and joined the band on stage that night. Justin, with his leg in a cast, sang while seated in a wheelchair. The pain proving too much for Justin to bear, the rest of the tour was cancelled and the band drove 1,500 miles back to Austin.

46 days would pass before Blue October played another show. Even though the tour had been sidelined, Foiled continued to sell an average of 10,000 copies every week and Hate Me reached #2 on Billboard’s Alternative Rock chart. Matt Noveskey and his former (a+)machines bandmate Ryan Holley along with friends Jacob Trevino (of Five Dollar Friend) and Wesley Lunsford (both of which Matt has worked with in his capacity as record producer) as opening acts went on a tour of Texas in June.

Also that June, Jeremy and Meredith tied the knot.

On June 17 Blue October made their return to the live stage, playing at Buzz Fest in Houston. Julian was once again playing guitar with the band, and Justin, still recovering, gradually gained mobility over the next few months.

At the end of June, Blue October returned to L.A. where they co-hosted and performed on the nationally syndicated radio program “Loveline” with Dr. Drew and Striker. The next day the band again appeared on national television, performing on the outdoor stage at the Jimmy Kimmel Show. The performance proved to be symbolic, as Justin entered the stage hobbeling, then during Hate Me, he cast his crutches aside and performed two more songs on his own two feet.

In July Blue October played their first shows outside of the United States, playing in Toronto and Quebec, Canada. Canadian fans would follow their American counterparts in falling in love with Foiled, sending the album to platinum status there, and garnering the band a nomination for a MuchMusic award for the Hate Me video. Into the Ocean also was released as a single and was quickly in the charts.

In August Blue October played one of their biggest shows to date (if not their biggest ever) at Lollapalooza in Chicago. By the end of the summer tour, Foiled had been certified gold.

In September Blue October, still with Julian in the band, played even more shows outside the US. They visited Europe for the first time, playing in Amsterdam and London. Returning to North America, they played a special “bands in the sand” show in Cozumel, Mexico.

Barely a week after returning from Mexico, the band headed to San Francisco where they played at Golden Gate Park. They toured the west coast, and in October, Justin got married in Las Vegas.

After a two-week break from the road, and Justin nearly fully recovered, the band hit the road again, this time without Julian. The band’s guitar technician Bruce would cover for Justin. The band played 7 shows before Justin slipped on a wet bathroom floor and re-injured his leg. The remaining shows were canceled and the band again headed home.

That’s about the time that Blue October received a surprise phone call. They had been invited to open for another band. Who is it? You’ve probably never heard of them. Well, maybe you have. Do the words “The Rolling Stones” ring a bell?

Injured or not, Blue October accepted the invitation and opened for The Rolling Stones at the Idaho Center in Nampa, Idaho on November 14, 2006.

The day after Thanksgiving the group came out to perform again (with Julian joining them), first a two-day stint in Austin, then a show in Houston and another two-day stop in Dallas before taking a holiday break. These last shows of 2006 would be Julian’s last shows with Blue October.

The band had recorded a video for Into the Ocean with director Zach Merck.
During the final week of 2006 the video made its debut on VH1 in the #3 spot on the weekly countdown and would stay in the top 10 for several more weeks.

The first Blue October show of 2007 was Ryan’s Birthday, and what better place to spend it than Honolulu, Hawaii. The band had originally planned to play in Hawaii four months earlier, but their plans were thwarted by an earthquake. <insert corny joke about how Blue October rocks more than an earthquake>

Several shows had to be cancelled in 2006, and the band tried to make it back to all the cities that they had cancelled on. Within the first two months of 2007 they were able to mostly complete this task, while simultaneously seeing the video for Into the Ocean reach the #1 spot on VH1.

In March 2007 Blue October planned to embark on an ambitious task: Their first European tour. It would last nearly the entire month of March and they would play 13 shows in 9 different countries. It was not to be however, and the tour was scrapped. During the 20 days on which the European tour would have happened, the band didn’t play a single show. They did however make a major announcement.

They would be recording one of their upcoming shows for a new live album. The “Teach Your Baby Well” tour was announced which was to include 30 shows and last through the end of April. The tour went off without a hitch, the band recorded the live album on March 24 in Austin.

In April they received word that Foiled had gone platinum, just in time for their third national tv appearance, performing She’s My Ride Home on Late Night with Conan O’Brien.

Justin’s daughter Blue was born in May, and the band took it’s longest break of the tour: 68 days without a show. That is unless you don’t count the tireless Matt Noveskey who went into the studio to record an album with Wesley Lunsford and played a show in Houston with Ryan Holley and Lanky.

The first two shows of the summer took place in New Braunfels, Texas at the newly constructed Whitewater Amphitheater on the Guadalupe River the weekend of Independence day. The remainder of summer tour would take place only on weekends. The band would fly to an area, play two or three shows, and then fly back home to spend the week with their families. The band again played Lollapalooza and Austin City limits.

More ambitious plans were in store for the Fall tour. Blue October would be playing with platinum artists Yellowcard and grammy nominees Shiny Toy Guns - and Blue was going to headline the tour. And this time around they were going to play Arenas and Amphitheaters rather than bars and clubs.

The “Sorry Boy Burns Bright” tour included 36 dates over three months, with no breaks and Blue October would be promoting their new live album “Foiled For the Last Time.” The tour came to a climactic finale in Austin. During Blue October’s encore, the band was joined by members of their crew, as well as Yellowcard and Shiny Toy Guns - all in costume no less, to end the tour on a festive note.

A few more concerts were added for December of ‘07, including a show opening for Lenny Kravitz in Sacramento, a show on Justin’s birthday in Portland, and the final show of the Foiled tour in Kansas City, which had to be postponed one week due to an ice storm.

Another holiday break, another Blue October baby, and still the boys are back Matt, Justin, and the whole band have shows planned already for 2008.

Persevering through substance addictions, broken relationships, broken legs, record contracts won and lost, album delays, earthquakes, and ice storms. Blue October has proven they are a band that won’t give up.

 (old version)

The History for Sale tour (at the tail end, it was known as the “History Has Sold” tour) ended on October 24, 2004 at Stubb’s in Austin, Texas.

329 days later, and with Matt back in the band and their new album in the bag, Blue October played the first show of what would become a more than two-year long endeavor to promote and support their new album.

I remember that day clearly. Canvas had just played what would be their last show ever in Dallas at the Curtain Club the night before. I ended up hanging out with Joseph King, Chad Pavlovich and Matt and Troy from Spoonfed Tribe all night. We watched the sunrise from the rooftop of Joseph’s friend Daniel’s house in Fort Worth. After catching a few hours of sleep in the morning, Chad and I headed back to Deep Ellum for the Storm Aid benefit concert, which would include many of our favorite local bands such as SouthFM, Zayra Alvarez, The Burden Brothers, and Blue October.

We arrived at the Gypsy Tea Room where we hooked up with Swin who showed us the new Foiled promo posters. They listed October 11 as the release date. We headed over to Deep Sushi where the band was having lunch. When Justin saw us through the window of the restaurant he came outside and gave us bear hugs. Seeing Matt seated with the rest of the band made me swell with joy. I also met Meridith for the first time after hearing about her from Jeremy for several years.

Justin was very nervous. I asked him if he was going to play any new songs, and he said he had a new song called Hate Me that the band would be debuting that night. There was something else new that night, it was the first of many shows to come in which Justin donned a suit.

Blue October’s set that night was short but beautiful and acoustic. They played Calling You in a new way, and the new song - Hate Me. Wow. It was good. The kind of brilliance I had come to expect from Justin. It was the first time I had ever heard the song, and it would be the last time I would ever hear it at a show without the audience singing along.

Five days later Blue played the ACL festival in Austin, and news came from the higher ups that the album release would be delayed until after the new year. The band had already booked a 20-date tour of their home turf: Texas and the Midwest, to promote the album’s release. The fans would not be disappointed, the tour would go on, and Blue October wouldn’t be obligated to only play their new songs. Their first album, The Answers, was finally available through the band’s website and at their shows, and this tour would serve to promote The Answers and the entire Blue October catalog. Hate Me was going to be the first single from Foiled, and would played at the shows. You Make Me Smile the song that Justin and Matt had written together but never released, would also be included, showing the fans that Matt’s back. Even though Foiled had been foiled, there was plenty to celebrate and show off.

The tour began with 11-straight shows in Texas: San Angelo, Abilene, Lubbock, Odessa, College Station, Beaumont, Austin, Houston, San Antonio, Dallas and Fort Worth.

From DFW, they headed north to Tulsa, Little Rock, Lawrence, Saint Louis, South Bend, Minneapolis, Milwaukee, Chicago, Ames and finally their second home: Omaha. Without the new album, and with most radio stations still ignoring them, the band still managed to sell out most of the shows, which were mostly at bars and small music clubs, with a few theaters.

About a month after the tour ended, Justin and Matt played a 3-date 5591 tour through San Marcos, Austin, and Houston. The latter date fell just a few days early of Justin’s birthday, and served as a de facto birthday party, complete with gifts and a 5591 cake.

After a holiday break, the band boarded their tour bus for a cross-country blitz of a radio tour. The new album would be hitting stores soon, and Hate Me was now available for radio adds. On the 14-day tour, which started in San Diego and ended up in Saint Petersburg, the band played private shows for radio stations staffers in 12 cities including Los Angeles, Sacramento, Salt Lake City, Denver, Mission Kansas, Saint Louis, Memphis, Birmingham, and Atlanta. The strategy proved successful, and along with the support of fans who called stations to request the song, Hate Me quickly rose to be the most added song in alternative rock and soared to #1 most requested in several cities.

Hate Me was remixed for the album, and was rising up the charts.
The band played one concert in February - a Mari Gras party in Galveston, which would have coincided with the release of Foiled, but the album’s release was again delayed to March.

On March 22 Blue October set out on another string of tour dates starting with a set at the SXSW festival in Austin, but yet again their album wasn’t available. They decided to play the new songs, adding Sound of Pulling Heaven Down, Everlasting Friend, Drilled a Wire Through My Cheek, Into the Ocean, and Overweight to their setlists.

Foiled’s final release date was set for April 4, 2006, and after shuffeling around some tour dates, the band was able to come back to Texas to play some in-store acoustic shows and autograph sessions to promote the CD’s release.

After the Texas in-stores, the guys immediately headed to California to play at the Roxy in Los Angeles.

In it’s first week, Foiled sold over 30,000 copies.

The boys returned to Texas to play their first full Foiled shows in Lubbock, Austin, Dallas, and then Austin again.

Only ten days after the release of Foiled, Blue October made their nation-wide television debut, playing Hate Me on the Tonight Show. The performance boosted the sales of Foiled sent Hate Me to even greater popularity, allowing the band to record a video for the song with director Kevin Kerslake who has previously directed videos for The Offspring, Nirvana, Red Hot Chili Peppers, Stone Temple Pilots, 311, Smashing Pumpkins, Green Day, Cypress Hill, Depeche Mode, The Ramones, Faith No More, and Soundgarden.

Hate Me had been topping the charts in one city in particular outside of Texas: Tampa, Florida. 97x, Tampa’s radio station had fallen in love with Blue October and heavily promoted a headlining show for Blue October before 10,000 fans at Bright House Networks Park on April 29. By all accounts the show was spectacular, however after the concert, while running the bases in the park, Justin slipped and broke his leg. Justin wouldn’t be able to walk or play guitar, but he was determined to keep performing. Julian Mandrake, a long-time friend of the band, and the former lead guitarist from Canvas was called and invited to join Blue October as second guitarist. Julian agreed and immediately flew to Baltimore to meet the band the next day.

With less than a day’s preparation, Julian learned Blue October’s songs and joined the band on stage that night. Justin, with his leg in a cast, sang while seated in a wheelchair. The pain proving too much for Justin to bear, the rest of the tour was cancelled and the band drove 1,500 miles back to Austin.

46 days would pass before Blue October played another show. Even though the tour had been sidelined, Foiled continued to sell an average of 10,000 copies every week and Hate Me reached #2 on Billboard’s Alternative Rock chart. Matt Noveskey and his former (a+)machines bandmate Ryan Holley along with friends Jacob Trevino (of Five Dollar Friend) and Wesley Lunsford (both of which Matt has worked with in his capacity as record producer) as opening acts went on a tour of Texas in June.

Also that June, Jeremy and Meredith tied the knot.

On June 17 Blue October made their return to the live stage, playing at Buzz Fest in Houston. Julian was once again playing guitar with the band, and Justin, still recovering, slowly gained mobility over the next few months.

In July Blue October played their first shows outside of the United States, playing in Toronto and Quebec, Canada. Canadian fans would follow their American counterparts in falling in love with Foiled, sending the album to platinum status there, and garnering the band a nomination for a MuchMusic award for the Hate Me video. Into the Ocean also was released as a single and was quickly in the charts.

In August Blue October played one of their biggest shows to date (if not their biggest ever) at Lollapalooza in Chicago. By the end of the summer tour, Foiled had been certified gold.

In September Blue October, still with Julian in the band, played even more shows outside the US. They visited Europe for the first time, playing in Amsterdam and London. Returning to North America, they played a special “bands in the sand” show in Cozumel, Mexico.

Barely a week after returning from Mexico, the band headed to San Francisco where they played at Golden Gate Park. They toured the west coast, and in October, Justin and Lisa were married in Las Vegas.

After a two-week break from the road, and Justin nearly fully recovered, the band hit the road again, this time without Julian. The band’s guitar technician Bruce would cover for Justin. The band played 7 shows before Justin slipped on a wet bathroom floor and re-injured his leg. The remaining shows were canceled and the band again headed home.

That’s about the time that Blue October got a surprise phone call. They had been invited to open for another band. Who is it? You’ve probably never heard of them. Well, maybe you have. Do the words “The Rolling Stones” ring a bell?

Injured or not, Blue October accepted the invitation and opened for The Rolling Stones at the Idaho Center in Nampa, Idaho on November 14, 2006.

The day after Thanksgiving the group came out to perform again, first a two-day stint in Austin, then a show Houston and another two-day stop in Dallas before taking a holiday break. These last shows of 2006 would be Julian’s last shows with Blue October.

The band had recorded a video for Into the Ocean with director Zach Merck.
During the final week of 2006 the video made its debut on VH1 in the #3 spot on the weekly countdown and would stay in the top 10 for several more weeks.

The first Blue October show of 2007 was Ryan’s Birthday, and what better place to spend it than Honolulu, Hawaii. The band had originally planned to play in Hawaii four months earlier, but their plans were thwarted by an earthquake. <insert corny joke about how Blue October rocks more than an earthquake>

Several shows had to be cancelled in 2006, and the band tried to make it back to all the cities that they had cancelled on. Within the first two months of 2007 they were able to mostly complete this task, while simultaneously seeing the video for Into the Ocean reach the #1 spot on VH1.

In March 2007 Blue October planned to embark on an ambitious task: Their first European tour. It would last nearly the entire month of March and they would play 13 shows in 9 different countries. It was not to be however, and the tour was scrapped. During the 20 days on which the European tour would have happened, the band didn’t play a single show. They however make a major announcement.

They would be recording one of their upcoming shows for a new live album. The “Teach Your Baby Well” tour was announced which was to include 30 shows and last through the end of April. The tour went off without a hitch, the band recorded the live album on March 24 in Austin, and in April they received word that Foiled had gone platinum.

In May Justin’s daughter Blue was born and the band took it’s longest break of the tour: 68 days without a show. That is unless you don’t count the tireless Matt Noveskey who went into the studio to record an album with Wesley Lunsford and played a show in Houston with Ryan Holley and Lanky.

The first two shows of the summer took place in New Braunfels, Texas at the newly constructed Whitewater Amphitheater on the Guadalupe River the weekend of Independence day. The remainder of summer tour would take place only on weekends. The band would fly to an area, play two or three shows, and then fly back home to spend the week with their families. The band again played Lollapalooza and Austin City limits.

More ambitious plans were in store for the Fall tour. Blue October would be playing with platinum artists Yellowcard and grammy nominees Shiny Toy Guns - and Blue was going to headline the tour. And this time around they were going to play Arenas and Amphitheaters rather than bars and clubs.

The “Sorry Boy Burns Bright” tour included 36 dates over three months, with no breaks and Blue October would be promoting their new live album “Foiled For the Last Time.” The tour came to a climactic finale in Austin. During Blue October’s encore, the band was joined by members of their crew, as well as Yellowcard and Shiny Toy Guns - all in costume no less, to end the Foiled tour on a festive note.

A few more concerts were added for December of ‘07, including a show opening for Lenny Kravitz in Sacramento, a show on Justin’s birthday in Portland, and the final show of the Foiled tour in Kansas City, which had to be postponed one week due to an ice storm.

Another holiday break, another Blue October baby, and still the boys are back Matt, Justin, and the whole band have shows planned.

Persevering through substance addictions, broken relationships, broken legs, record contracts won and lost, earthquakes, and ice storms. Blue October has proven they are a band that won’t give up.

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Statistics on Foiled Tour (thanks keiv from the open book)

February 12, 2008

Foiled Tour Statistics

125 different cities
40 different states, plus Washington DC
5 countries
260 concerts
spanning a total time frame of 822 days from September 18, 2005 to December 19, 2007. (Incidentally I happened to be at both the first show and the last show). That’s roughly a concert once every three days for 69 months, not even counting the radio tour or the 5591/Matt shows.

States played the most:
Texas: 45 shows
California: 16 shows, plus appearances on two TV shows
Florida: 11 shows
Wisconsin: 9 shows
Missouri: 8 shows
Illinois: 8 shows
New York: 7 shows, plus an appearance on a TV show
Iowa: 7 shows
Nevada: 7 shows
Oklahoma: 6 shows
Lousianna: 6 shows
Colorado: 5 shows

Cities played the most:
Austin: 10 times
Chicago: 7 times
New York: 6 times plus one TV show
Dallas: 6 times
Houston: 6 times
Milwaukee: 6 times
Las Vegas: 6 times
Tulsa: 5 times
San Antonio: 4 times
Washington DC: 4 times

Cities that got shafted the most:
Syracuse, NY (cancelled twice, never made up)
Birmingham, AL (cancelled twice, never made up, plus a festivle in Mobile was cancelled. There was not a single Alabama show on the Foiled tour)
Toledo, OH (cancelled once, never made up)

Number of shows cancelled due to Justin’s injuries: 22
Number of those shows that were made up: almost all of them except for the festivals.

Number of shows Julian played with Blue October: about 60

Number of shows cancelled due to earthquakes: 1

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Blue October Playing @ Meridian

February 12, 2008

Blue October @ Meridian

March, 19 2008 at BLUE OCTOBER
1503 Chartres, MERIDIAN, 77003
Cost : ???

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!!!BIG NEWS!!! songs thus far for preproduction on next album - from 5591 Justin on open book

February 11, 2008

title thus far approaching normal1. say it
2. worry list
3. blue skies
4. picking up the pieces
5. replace my heart ( the end )
6. murdered a friend
7. who am i
8. sleep
9. my dirt room
10. a kangaroo cry
11. the wedding suit
12. blue does
13. weight of the world
14. graceful dancing
15. its just me ( very heavy )
16. my never
17. 7 8 triple6
my first covers
18. story of an artist by daniel johnston
19. im nervous by daniel johnston

his album will be thick heavey angry sad hopeful and overwhelming hank you for being here for me

-Justin

oh yea the fern

must have ” been down “

add that to ur list

his possible ideas he posted the other day but the above is the updated version so far as in old songs these r my choices
if u have any ideas please post. but then these could also apear on the album but im not sure
1 wieght of the world
2 who am i
3 spotlight
4 my never
5 kangaroo cry

many others but those im in love withjustin oh yea graceful dancing is a must

h1

Justin On Radio Tour

February 11, 2008

Hey sorry didnt post this earlier justin is currently on a radio tour so far he has gone to

 * UPCOMING  SHOWS (old) *

Philly show post on the open book not enough info yet - http://www.blueoctoberfan.com/openBook/viewtopic.php?t=59532

___________________________

SHOWS THUS FAR (old)

94.5 Princeton, NJ FEB, 07 @ 5pm

Blue October lead singer Justin Furstenfeld will be giving a special private acoustic performance on February 7th at 5pm. The performance will take place the studios of 94.5 PST in Princeton, NJ.

Want to come?????? Email Matt Sneed at msneed@wpst.com with the subject line “I want to come!” (Include a phone number in the email).

We will pick 10  winners plus guest to win passes to this this exclusive event

If something with Justin happend at WPST in Princeton at 5pm February 7 2008, it wasn’t broadcast but i did record him co hosting at around 9 18 so im not sure if i got the whole thing

 

Keiv and me blueoctober777  recorded the broadcast of Justin co-hosting the top 9 at 9. I edited it together and it’s about 7 minutes long if you want to listen to it, click the one of the links below to download 

2008-02-08_Justin_Top99_WPST.html

http://www.blueoctoberfan.com/openBook/viewtopic.php?t=59248&postdays=0&postorder=asc&start=105

Link to radio station website http://wpst.com/index.php

Live at WKRZ in Wilkes-Barre, PA Feb 7, 2008

uno-chigago-grill-2-08-blue-october.jpg

 some more info i found on the message board

98.5 KRZ has your invitation to the next Uno Chicago Grill Spotlight Lounge.

Thursday, February 7th you can see Blue October including a live acoustic performance, photos, autographs,
and lunch with frontman Justin Furstenfeld!

Just keep it on KRZ to win free passes courtesy of Universal Records.

Bringing the stars to you again and again…98.5 KRZ

1. It is at the KRZ radio station Not UNO’s)
2. You can hear it live at noon EST by going to www.985krz.com and listening
3. They will have a video clip up of it in the next few days after.
4. The station will provide pictures for you to get signed.

Justin from the message board - im gonna play prob. 4 or 5 songs but not eaat with yall im on a diet but ill hang

for pics http://www.blueoctoberfan.com/openBook/viewtopic.php?t=59531

other posts -  http://www.blueoctoberfan.com/openBook/viewtopic.php?t=59526

http://www.blueoctoberfan.com/openBook/viewtopic.php?t=59528

http://www.blueoctoberfan.com/openBook/viewtopic.php?t=59512&postdays=0&postorder=asc&start=0

The show audio -

Entire interview (16.2MB)

Hate Me (2MB)

Into The Ocean (2MB)

Calling You (1.5MB)

When in Rome verse (<1MB)

Live video of Justin at WKRZ in Wilkes Barre/Scranton 2-7-08 Videos (from ChristieRae on the blue october official message board)

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=27851515

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=27852452

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=27852788

Live acoustic performance at WKRZ’s lounge in Wilkes Barre/Scranton on Thursday February 7th, 2008. Please click link below.http://link.brightcove.com/services/link/bcpid1374480984/bclid1380400684/bctid1414289881 

 

Blue October KZL Lounge Performance 2-21-08, Greensboro NC

Who Am I ? - http://www.youtube.com/watch?v=3PD2CU-cR5k

Calling You - http://www.youtube.com/watch?v=OwoLiGcHOjM

Hate Me -  http://www.youtube.com/watch?v=Bx3NpIjrSrc

Here is a radio interview with Justin at radio station 104.5 the cat. 

CLICK HERE http://www.youtube.com/watch?v=pwfBj8VW7Ps&feature=related 

Justin also did an acoustic show of Hate Me and Calling you. 

CLICK HERE http://www.youtube.com/watch?v=TCQQjtA2588&feature=related 

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Press awards blue october (OLD)

February 11, 2008

 

1999 Houston Press Music Award Winners

By

Published: July 29, 1999BEST ROCK/POP
Blue October

Just last year, Blue October was the Houston Press’s Critic’s Choice for Best New Act. But who would have thought that the act would take home this award so quickly? In a rock/pop era dominated by simplicity, this band seems a throwback to moody, intelligent art rock. There’s even a violinist.

Singer/guitarist Justin Furstenfeld, formerly of Last Wish, writes literate lyrics about topics such as drug addiction and religion. And Ryan Delahoussaye, who plays that violin, capably assumes the role usually reserved for lead guitarist and, in so doing, creates timbres rarely heard in rock music. Blue October has been building a loyal following throughout Texas and may be on the verge of cracking the national scene. Count this win as one more step toward the big time. (Paul J. MacArthur)

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News Articles The Last Wish (old)

February 11, 2008

A Taste of the Hellhole

Justice plans to “reinvest” in the community with a sampler of local bands

By Brad Tyer 

Published: August 25, 1994

The idea that a compilation of local talent might be of some benefit to the commercial struggle of the local scene isn’t a new one, and it’s produced everything from memorable records like Texas Funk and Great Big Pile to probably-should-have-left-well-enough-alone embarrassments like last year’s Houston Music Council sampler. 30footFALL’s Tony Avitia and his self-run Broken Note Records recently released The Coolest Shit in Texas — a compilation along the same lines featuring a slew of local and statewide bands that will soon be reviewed if I can get my hands on a copy — and another, perhaps even more ambitious project is in the works from Justice.

The working title is Hellhole — taken from a New York Post headline during the Rockets/Knicks skirmish — though I’m told that tag probably won’t make the final cut, and Justice honcho Randall Jamail tells me the compilation is the result of his idea that a Justice sampler of local talent “is long overdue” and a “reflection of our commitment to reinvest ourselves back in the community here.” Jamail has farmed out A&R responsibilities to the Justice rank-and-file, with instructions to bring in demos of the best of Houston’s new rock, punk and post-punk acts, and so far something on the order of 35 bands have responded.

Any music received by Justice with a postmark no later than Aug. 31 will be considered for inclusion, and local musicians should know that they may submit demos in any form, from cassette to 7-inch to DAT to CD. The polish of the demo means not a whit, since acts chosen for inclusion will be given free studio time to cut a new track for the finished product. Says Jamail, “We’re gonna pick the bands, then go into the studio and produce the disc. One thing I want this disc to have that a lot of these things don’t is a continuity of sound.”

Justice plans to announce its chosen line-up — a final cut of 13 or 14 bands — by the end of September, with production tentatively slated for sometime in November and a late-winter/early-spring release. The deal is described as one-shot, no-strings-attached exposure, and Justice has plans to market Hellhole, or whatever the final title turns out to be, worldwide. Jamail even claims to have set aside an advertising budget and a promotional push at the College Music Journal and similarly targeted publications.

Considering the already late date, interested bands should get off their butts with great rapidity and submit material to Hellhole Compilation, c/o Justice Records, P.O. Box 980369, Houston, TX 77098-0369.

Say it ain’t so… Thora-Zine, the coolest music mag to come out of Houston in recent memory, just hit the stands with a glossy full-color cover on issue number five and a slew of sloppy/engaging writings on everything from Sun Ra to Fuckemo’s to Thin Lizzy to William Hooker. Points of special local interest include Bleachbather B. Brady’s joint interview with Joey Ramone and ex-Dead Boys guitarist Cheetah Chrome, and a groovy, super-noisy flexi 7-inch featuring tracks from Japan’s Boredoms, Eyehategod, Houston thrash-punk revivalists Dixie Waste (their “Hole in the Wall” is probably the best track here), and three half-minute-or-less selections from the tastefully monikered Anal Cunt. The new and improved Thora-Zine also comes with press material announcing that the ‘zine has relocated its base of operations from Houston to that smaller Texas city up north that starts with an “A.”

Local Stuff… Thursday night starts off strong with The Rounders playing at the Satellite, Alamo Jets at Munchies and The Last Wish at McGonigel’s Mucky Duck. Rom Ryan can be found strumming his worldly acoustic guitar with special guests including guitarist/singer David Rice, percussionist Chris Rose and pianist Nicholas Walker at Diverse Works, and Beat Temple’s still building the crowd at The Pig Live this and every Thursday.

Friday night, Sad Pygmy, who I can’t help but think of as the most enjoyable punk-rock experience in this town, shakes up Rudyard’s, and on the other end of the spectrum, Feo y Loco settles in at Munchies. Newcomers Dune play a set at the Edge Bar, which is a better place than most to see music youÕve never seen before, and standard-bearer Murrell, featuring vocalist Mignon Rae, performs at Ovations. The Friday event not to be missed, though, is De Schmog’s long-awaited CD-release celebration for Kiddie Wonderland at Fitzgerald’s, 9:30 p.m. sharp. The theme is carnival, complete with popcorn, cotton candy, sno-cones and CD and T-shirt giveaways. All and sundry are invited to bedeck themselves in costume gear. Austin’s Noodle and Houston’s Rusted Shut, in that order, fill out the bill.

Come Saturday, Herschel Berry’s at the Ale House, Dropkick Chihuahuas plays Rudz and Trish and Darin make an appearance at the Village Brewery. Meanwhile, award-mongers Shake Russell and Jack Saunders folk the Mucky Duck. Pain Teen Scott Ayers’ not-so-new band Truth Decay nabbed the opening spot on the stellar Ed Hall/Gaunt bill at Harvey’s and Saddlebag is slated for Emo’s.

Sunday plays witness to the Brain Tag Alternative Culture Festival, featuring Planet Shock!, Man or God, Clover, Pushmonkey, Train in Vain, The Numb, Poor Dumb Bastards and Deva at the European Garden, and as for Sunday nighttime, I can’t recommend anything more highly than La Big Band, the humongous jazz unit that’s been holding court at Soulstice Sunday nights this past month. Blues vocalist Carolyn Blanchard sat in last time I stopped by, and, while the room wasn’t empty, there’s space, and musical cause, for plenty more. Monday night it’s more music of the large variety with the Houstonian Big Band squeezed into Munchies.

Tuesdays are traditionally dead nights, but this time around you can witness the return of Sasquatch 2000 at Emo’s, or truck up north to Hurricane Alley for something they’re calling Alternative Tuesdays (for those of you tired of those boring mainstream Tuesdays), this week featuring new talent The Thangs, Dune, Canvas and Demogorgon. Wednesday, as usual, Harry Sheppard plays vibe fusion at Munchies.

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News Article The Last Wish (old)

February 11, 2008

Big Band, Big Press Kit

Ladies and gentlemen, the Rolling Stones! (Yawn…)

By Brad Tyer 

Published: September 15, 1994

Two years into this job now, and I finally went to my first honest-to-God press conference, at the Hard Rock Cafe, to find that, yes, the Rolling Stones (they’re really big, maybe you’ve heard of them) will indeed perform at 7 p.m. Sunday, November 13 at the Astrodome. Tickets cost $30 and $55, which is either a sign that the Stones are being pretty darn reasonable in this season of $100-plus Eagles tickets, or a sign that the old boys have a pretty good idea of their questionable drawing power at the end of that selfsame season. Especially in Houston, where only one show is planned, as opposed to, say, the four in Giants Stadium. Bryan Adams is slated as opening act — which sounded pretty reasonable hearing it in the Hard Rock, but seems kinda crappy now — along with another as-yet-unnamed act that most assuredly won’t be ZZ Top.

If you’re wondering why Pace Concerts bothered with a press conference to announce the most commonplace facts and figures in the rock world, I can’t help you. Maybe they needed to do something with those Biggest Band in the World press kits, copied on 12 different colors of paper and comprising two photos and 78 — count ‘em, 78 — mostly single-sided sheets of Xeroxed press material. Just in case, I suppose, some of us younger critics don’t know who the Stones are.

Local Stuff… When the Big Easy Social and Pleasure Club opened on Kirby earlier this year, the advance verdict from original partner Pete Selin, who was feeling burned-out by his experience with the Bon Ton Room, was no live music. But it’s been several months now since Selin sold his interest in the Big Easy, and remaining owner Tom McClendon still has a taste for the music biz, so that’s why you’ll find the Chris Masterson-hosted Blues Jam holding court every Sunday night, and Houston saxophonist Roger Eckstine and his band holding down a schedule of Thursdays through the end of September. It’s a tight little room, with a tight little dance floor, two pool tables and a well-stocked bar, and if the local musical attractions aren’t enough to get you off the couch, perhaps the news that famed Meters bassist George Porter Jr. and his touring band the Runnin’ Pardners will be stopping in for a show on Friday the 16th. Porter played a barely heralded show at the Easy a month or so back on his way to California, and liked the room so much he’s playing it again on his way home. You missed it last time; don’t do it again.

Come Friday, folk songstress Kimberly M’Carver settles in at the newly remodeled Anderson Fair, while veteran rocker Herschel Berry takes his first turn at Toby Blunt’s Mary Jane’s tavern on Washington. The jazz is free at the Houston Jazz Festival performance at Miller Outdoor Theater, and vocalist Anita Moore, formerly with the Duke Ellington Band, is the featured performer. The Mike Gunn and Bleachbath share a heavy rock bill at Rudyard’s, and Crazykilledmingus, I End Result and Saddlebag should pack ‘em in over at Fitzgerald’s. Zwee and the Graveberries play at Big Dogz Ice House. Meanwhile, the food and groove rockers in Banana Blender Surprise play what should be their last Houston gig, at The Pig “Live” (also remodeled, I’m told, to take that annoying post out of the line of sight), before heading out on a tour that takes them up the East Coast to New York, leading into a mid-October through November stint opening up for stylistic cousin NRBQ’s Midwest tour. Also on Friday, the second Houston show from Rugrash, featuring former Sprawl vocalist/organist Matt Kelly and guitarist Joey Salinas, opening for Joint Chiefs at Emo’s.

As for Saturday, local folkie Eric Taylor plays Anderson Fair, Java Dogs are at Rudz and The Last Wish, having seduced much of the local adult market with its not-harsh take on acoustic rock, takes aim at its contemporaries with a debut at The Abyss. Jazzy saxophophonist Kermit Ruffins isn’t a local, but his label, Justice, is, and so I’ll mention his late-scheduled gig at Ovations Saturday night, even if it does compete with Billy Blues’ stellar and mostly local lineup of Sue Foley, Lavelle White, Carol Fran and Clarence Hollimon, Teddy Morgan and The Moeller Brothers. Saturday night sees the return of the road-tested Carolyn Wonderland and the Imperial Monkeys at Big Dogz. And if that’s not enough local interest for one Saturday night, you can take your pick of three local record releases. Sheila Renfro and Soul Possession celebrate the birth of a tape at Dan Electro’s Guitar Bar, Dead Squad drops a new record at Harvey’s and Feo y Loco have a CD release party for Politically Incorrect — even if it is a tired phrase the Locos have been leaning on for at least two years now — slated for the European Tavern.

If you’re still walking Sunday, Texas Johnny Brown is at Billy Blues, Joe “Guitar” Hughes takes his turn at Funday in the Park, this week in Judson Robinson Park, and the Blunt Family Jam, reportedly now minus slide wizard Frank Frombach, does its regular Sunday night thing at Mary Jane’s. Local fave and I’ll-play-anywhere-anytime trooper Jerry Jeff Walker, by the way, is scheduled at the Yucatan Liquor Stand, which sounds like it might be ugly, but everyone will tell you they had fun.

Monday night, L.A.’s master of bluesy world-beat eclecticism, David Lindley, will play with collaborator Hani Naser at McGonigel’s Mucky Duck, and even though he’s really not local, I didn’t get the news early enough to do a proper write-up, so you find out about it here. Tuesday’s got Alamo Jet Jessie Dayton teamed up with songwriter Jim Lauderdale for a duo performance, also at the Duck, and Herschel Berry’s back at The Pig. Newcomers Canvas play Emo’s, also Tuesday, and on Wednesday, extended for another month of Wednesdays, it’s vibist Harry Sheppard and band at Munchies. Oh, it’s so good to be back.

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News Article The Last Wish (old)

February 11, 2008

Pop Moment

By Brad Tyer 

Published: March 2, 1995

Austinite and former Houston homeboy Jessie Dayton is still being coy about the label deal he’s reportedly on the verge (at press time) of signing, and since we’ve waited this long, I guess I’ll be coy, too, and let the ink dry before spilling the beans, but we know this much: Dayton’s already in someone’s studio putting together the pieces for a debut to consolidate the best of those incessant demos he’s always recording. In the meantime, though, Dayton has put together an interim band for a few one-off live performances. Anyone familiar with Dayton’s work with the Road Kings and the Alamo Jets might be surprised to find that his backing band on recent opening dates for Kelly Willis in San Antonio and the Blasters in Fort Worth comprised Darin Murphy (formerly of Trish and Darin) and Charlie Sanders (ex-Missiles). Sanders plays electric and upright bass, Murphy sits behind the drum kit and Dayton riffs on table steel and Telecaster. Opening for the Blasters at Fort Worth’s Caravan of Dreams, Dayton, Murphy and Sanders reportedly drew a standing ovation. Dayton either can’t or won’t say what the lineup of his post-debut touring band will look like, or whether Sanders and Murphy will be involved, only that “We were hanging out, writing songs and just fucking off, so we decided to play a few gigs. And we’re gonna do some more shows, let’s put it that way.” Nothing confirmed yet, but Dayton’s hoping to bring the trio to Houston in the near future, so keep an eye out.

It’s Nice to be Recognized… Flip through a copy of the March issue of Request music magazine at your local Stop N Go or Sam Goody record shop, and you might be surprised to find a little recommendation column called “The Request List,” which, if you read it, will recommend Houston’s own Beat Temple and the band’s Lemon and Honey cassette. “Sly Stone meets Seal with a kind of Earth Wind and Fire peace/love vibe. Beat Temple uses rich arrangements and uplifting lyrics, and the album’s liner notes call for peace in new Third World countries and the inner cities,” writes Request art director Scott Anderson. I showed the clip to Temple keyboardist Rick, since he happens to live upstairs, and he’d never heard of Request. He just stood there shaking his head, wondering how in hell some art director got his hands on Beat Temple’s tape. I finally had to tell him to leave. It just goes to show you: good press contacts can take you a long way.

South by Southwest is creeping its way around again, with the industry brouhaha scheduled for March 15-19 in Austin. Sugar’s Bob Mould has been announced as the keynote speaker for ‘95, which seems sorta appropriate, since almost all the invited acts are already signed to established labels (or from Austin; apparently the SXSW tradition of relaxing quality standards for the hometown heroes continues). Thirteen Houston acts are clutching invitations — a slight rise over last year’s eight. They are: Big Mello, “Texas” Johnny Brown and the Quality Blues Band, Conscious Man, Crimeboss, Dive, Fliponya, The Jinkies, The Last Wish, Mad Scientist, Manhole, Psyko Ward, The Suspects and Vice Grip. If you haven’t heard of some of these, don’t worry. Neither have I. They’re local rap acts, who are quickly making the hip-hop showcases at SXSW a Houston-dominated event, even if our town can’t get a reasonable cross-section of rock represented to save its life.

The horse they rode in on… When vocalist/frontman/graphic artist Mike Haaga left dead horse late last year, the rumors that the horse had fallen ran wild. Sorry. Come to find out, that rumor had as little basis in fact as the polite civilities shoveled to the press by both camps when Haaga and the band split. At the time, Haaga said he felt the band had stalled, and remaining members Allen Price, Greg Martin and Ronnie Guyote sent out a press release claiming an amicable split over artistic differences. Very polite. Now, though, dead horse has recruited singer/guitarist Scott Sevall — formerly with Austin band Force Fed — and shuffled Martin to frontman position. The band is in Deep Dot Studios with Sound Virus’ Darryl Menken, recording a six-song shopping demo, and they debuted the new lineup with a 25-minute set at the Abyss last Saturday night. Now, Price is willing to tell his side of what happened, which boils down quite simply to his claim that Haaga left the group after demanding complete musical control and being denied. But if Price still harbors a drop of residual anger toward Haaga, he’s got a small sea of it to dump on former dead horse manager Tom Bunch. “He thought Mike was the backbone behind the band. Tom won’t even return our calls anymore, and that’s sad, because to work with him we fired two real good friends of ours. And he won’t even return our calls anymore.”

dead horse is scheduled to play April 1 at the Urban Art Bar, and March 4 in College Station on a bill with Planet Shock! and Dive, though I hear that Dive has now inexplicably, regrettably, perhaps necessarily, but for some stupid reason changed its name to Osmona.

– Brad Tyer

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News Article The Last Wish (old)

February 11, 2008

The Lame and the Great

Lists you’ve been waiting all year for, in no particular order

By Brad Tyer 

Published: December 22, 1994

It seems to be that time of year again, when nobody’s playing, and nobody’s touring and the music editor is trying his damnedest to squeeze out some blob of easy copy early so he can grab a few extra days over Christmas at the grandparents’ house, where he’ll futilely try to convince them that, yes, “music editor” is a real job.

It’s a time for year-end countdowns and best-ofs and other assorted journalistic cutesies. I list what I remember of the best, worst and notable of the year and offer comment so that you can read it on the toilet or at Schlotzsky’s, wherever, and nod in knowing agreement, rage in bitter dispute or fall asleep in disinterest.

Happy winter.

Top 23 CDs of 1994

Beastie Boys
Ill Communication / Grand Royal

Lisa Germano
Geek the Girl / 4AD

Pete Droge
Necktie Second / American

Alison Krauss and the Cox Family
I Know Who Holds Tomorrow / Rounder

Sir Mix-a-Lot
Chief Boot Knocka / American

Iris DeMent
My Life / Warner Brothers

Michael Petak
Pretty Little Lonely / Slash

Buddy Guy
Slippin’ In / Silvertone

Liz Phair
Whip-Smart / Matador

Hole
Live Through This / DGC

Jack Logan
Bulk / Medium Cool

Soul Coughing
Ruby Vroom / Slash

Nirvana
Unplugged in New York / DGC

Cotton Mather
Cotton is King / Elm

Vince Bell
Phoenix / Watermelon1/4

K. McCarty
Dead Dog’s Eyeball: Songs of Daniel Johnston Bar/None

Johnny Cash
American Recordings / American

Ted Hawkins
The Next Hundred Years / DGC

Guided by Voices
Bee Thousand / Matador

Moe Tucker
Dogs Under Stress / Sky Records

Maleem Mahmoud Ghania with Pharoah Sanders
The Trance of Seven Colors / Axiom

The Jesus Lizard
Down / Touch and Go

Pavement
Crooked Rain, Crooked Rain / Matador

Ten Singles Worth Cranking the Radio For…

Tom Petty
“Mary Jane’s Last Dance” –
Out-Dylans Dylan, or close enough.

The Offspring
“Self-Esteem” — Better than “Lola.”

Salt n Pepa and En Vogue
“What a Man” — Sassy, sassy and
more sassy.

Mazzy Star
“Fade Into You” — Mmmm…

Meat Puppets
“Backwater” — Guiltless Skynard.

Beastie Boys
“Sabotage” — “Saturday Night’s Alright for Fightin’” for the Lollapalooza crowd.

The Flaming Lips
“She Don’t Use Jelly” — The most beautifully unexpected thing I’ve ever heard on FM radio.

Beck
“Loser” — Freshest thing on the radio in years.

Nine Inch Nails
“Animal” — Bold and disturbing.

Thirteen Singles Not Worth
Spitting On…

Nine Inch Nails
“Animal” — Disturbing and tiresome.

Beck
“Loser” — Got old fast.

Green Day
“Basket Case” — Awfully catchy, but the words suck.

R.E.M.
“What’s the Frequency, Kenneth?” — Nothing ickier than R.E.M. slumming.

The Murmurs
“You Suck” — No, dear, I didn’t put any dust on your guitar, though I wish you’d put it in a closet.

Sheryl Crow
“Santa Monica Boulevard” — A friend says she’s pretty sure the sun can’t come up over Santa Monica Boulevard, that it runs the wrong way, and I hate the song enough to take her word for it.

The Cranberries
“Zombie” — Season’s open, and creatures who make that sound are begging for buckshot.

Henry Rollins
“Liar” — Smug, stupid and boring.

Collective Soul
“Shine” — Enemas should be practiced in private.

Gin Blossoms
“Hey Jealousy” — Didn’t I slag this last year in this space? Why am I still hearing it?

Urge Overkill
“Girl, You’ll be a Woman Soon” — Only proves that Neil Diamond is cooler than his flatterers, which isn’t much of a point.

Blind Melon
“No Rain” — Wussy crap somewhere between Supertramp and Yes, which is hell.

Anything by Candlebox
I listen to all the Toy Subs I want, right here in town.

Top 12 Local CDs

de Schmog
Kiddie Wonderland / Disclexington

Odd Squad
Fadanuf Fa Erybody / Rap-a-Lot

The Last Wish
The First of February / Royal Blue Productions

Joe LoCascio Trio
Silent Motion / Tafford

Dive
Exhibit A / Pulse Productions

dead horse
Feed Me / DHO

Dyn@mutt
A Handbook for Young Scientists/farrago

Rocky Hill
Midnight Creepers/Collectables

The Mike Gunn
Almaron/Double Naught

Scarface
The Diary/Rap-a-Lot

Manhole
Manhole/Direct Hit

Dave Catney
Reality Road/Justice

15 Concerts That Made It All Worthwhile

Nine Inch Nails at The Summit

The Rolling Stones at the Astrodome

Alison Krauss at the Fabulous Satellite Lounge

The Missiles farewell show at the Fabulous Satellite Lounge

Linus at Rudyard’s

Pharoah Sanders at Miller Outdoor Theatre

George Porter Jr. at the Big Easy

The Harry Sheppard Band at the Houston Press Music Awards

Alejandro Escovedo at McGonigel’s Mucky Duck

Storyville at the Fabulous Satellite Lounge

Stomp at the Wortham Center

Frank Sinatra at Jones Hall

Sincola and the Wannnabes at Fitzgerald’s

Ted Hawkins at the Fabulous Satellite Lounge

Keenlies at Rudyard’s

One Song That Made It All Worthwhile
Linus’ “Linus Theme,” with its repetitive sludgerock riff and choked vocal refrain — “We are not Black Sabbath” — encapsulates all that is good and true in Houston music, and still manages to be absurd in all the right ways. If this thing wasn’t born to be a vinyl 7-inch, nothing ever was. If only the band would release it.

Worst Blows to Local Musical Culture
The untimely deaths of pianist and jazz catalyst Dave Catney, and SumArts president Lanny Steele.

Best Thing to Happen to Local Musical Culture
One-time Austin honky-tonker Mary Cutrufello’s move to Houston.

Most Irrelevant Thing to Happen to Local Musical Culture
Onetime local label Sector II’s move to Austin.

Real Life Rock and Roll Top Six
1. Goat’s Head Soup blew up one night, providing fireworks for all lower Westheimer. Word quickly spread that arson was to blame, and short weeks later an owner/investor was arrested for torching his own nightclub, providing one of the dumbest pseudo mob scenarios to hit Houston’s music scene in recent memory. Booking puppet-master Pace found a new home at the Urban Art Bar, and life goes on.

2. Longtime Houston Chronicle rock critic Marty Racine quit his music-writing gig, perhaps in response to his advancing (in rock crit terms) age — a quality noted last year in this same space with the announcement of Marty’s Heights Area Lawn of the Month victory. Since then, he’s popped up writing about snake handlers and displaced country folk, and when certain rock shows come through town, the Chron pulls him out of retirement to pitch in his two-cents worth, as when he noted in a review of Crosby, Stills and Nash that “Love the One You’re With” might have been the worst piece of advice the hippies ever got. More or less gone, but not forgotten.

3. Backstage at this year’s Houston Press Music Awards, in a moment of fear that the proceedings had grown boring, I asked members of the Odd Squad, who were about to go on-stage, to, you know, liven things up a little. They did. Walked onto the stage, did their thing, sparked at least six fat joints, puffed some and tossed some into the front rows. HPD officer and public relations dreamboy Ken Weiner considerately turned his back to the proceedings, and my KLOL cohost rushed into action, fairly screaming that, ohmigod, somebody’s got to stop them. Nobody did, and a bunch of people got a free stoning at the Music Awards, which I thought was pretty great.

4. Nine Inch Nails played at The Summit with the Jim Rose Circus Sideshow and Marilyn Manson. When NIN frontman Trent Reznor finally hit the stage after a Halloween night buildup of suspense, hundreds of angsty kids dressed like Brandon Lee’s Crow rushed the flimsy barricades and flowed onto the floor. The mass-scale stage rush is a noble but dying tradition, and for a moment, it made me believe all over again.

5. Pink Floyd came to Rice Stadium for a rare appearance, giving me the opportunity to write what amounted to a personal essay about my own sick relationship with that band’s music. Little did I expect that guitarist and frontman by default David Gilmour would read the article, take personal offense and instruct his tour publicist to contact me and ask for my impressions after the show. Luckily for me, forces conspired to make the show a success, but Gilmour’s sensitivity struck me as touching. And just about what you’d expect from a man who had to employ professional lyrical assistance to write a song about his own inability to communicate.

6. Kurt Cobain capped himself with a 12-gauge, sparking a million tributes of varying quality and cementing Nirvana’s place in the mass-cult rock pantheon. MTV continues to show Nirvana’s “In Bloom” video, in which Cobain insists that he does not have a gun, while a pistol revolves in space. Every person with even a shred of humanity swallows a painful lump in his throat.

Parting Gifts
For Sector II Records — A band with a chance in hell.
For Sound Virus Records — A band, any band, that will stay.
For Justice Records — Street cred.
For Axiom/Catal HYyYk/Harvey’s — An nth chance.
For the refurbished dead horse — Staying power.
For Banana Blender Surprise — A collective haircut.

For the Houston Blues Society (and the whole city, for that matter) — A statue of Lightnin’ Hopkins in the Third Ward.

For KRQE, Rocket Radio — Something to play during the day that’s half as entertaining as Love Phones at night.

For the Houston Music Council — Something to do.
For all Houston music venues — A sense of adventure.
For all Houston bands — More places to play, and more people to listen.
For Courtney Love — Evan Dando.
For Billy Corgan — A swift kick in the ass.

For anyone with taste — A membership in the Society to Eradicate Sheryl Crow.